Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Joseph E.Southall
From Benozzo Gozzoli,pisa

ID: 46231

Joseph E.Southall From Benozzo Gozzoli,pisa
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Joseph E.Southall From Benozzo Gozzoli,pisa


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Joseph E.Southall

1861-1944   Related Paintings of Joseph E.Southall :. | From Benozzo Gozzoli,pisa | Study of a Bowl of Fruit | The Quay,Orta | Fisherman Study | The Old Fisherman |
Related Artists:
Frederick Smallfield
British Painter and Etcher , (1829-1911)
James Barry
b.Oct. 11, 1741, Cork, County Cork, Ire. d.Feb. 22, 1806, London, England. Irish James Barry Gallery was born on 9th November at Captain Lieutenant Bouchiers quarters at the Old Train Barrack Yard in Ann Street, Belfast, Co. Antrim in the north of Ireland. Although Barry lived his adult life as a man, his true gender is unknown. It is widely accepted that Barry was a woman who chose to live as a man so that he might be accepted as a university student and be able to pursue his chosen career as a surgeon.
Antonio Ponce
Spanish, 1608-1662,Spanish painter. He had an undistinguished career in Madrid as a painter of still-lifes and flower-pieces. In 1624 Ponce was apprenticed to Juan van der Hamen y Leen, whose niece he married in 1628. The format of Ponce's compositions and some of his motifs derive from works by van der Hamen, though lacking their subtlety of composition, spatial clarity and formal conviction. In Vase of Flowers, signed and dated 1650 (Strasbourg, Mus. B.-A.), Ponce's style shows laboured imitation of van der Hamen's: his dry execution results in a paradoxically airless and petrified quality. Ponce was always a derivative artist, and some of his still-lifes with seasonal themes are similar to works by Francisco de Barrera, another modest painter with whom he was documented in the 1630s. Paintings from the 1640s and 1650s depicting baskets of fruit and bunches of grapes against light backgrounds are characterized by compositional informality, softer lighting and freer brushwork, through which Ponce attempted to convey the textures of objects and endow the subject with greater naturalness.






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